2015, 55 min
OFK is no common soccer team. For the past four years players, technical team, administrative and directive have collaborated in a cultural initiative that has seen them performing in their own theatre piece, venturing into painting and the publication of a book narrating their experiences as part of the club while triumphantly climbing to the Swedish first division and Europba League.
“See the Man” was their biggest project to date: a dance piece inspired by Swan Lake. The public presentation of their Tchaikovsky-fueled dance performance, “See the Man” is a testament to bravery and a unique collision between art and sports that charmed the nation.
2015, 45 min
In Blanca, cutting edge jazz based sounds (by members of award winning bands Klabbes Bank and Je Suis!) meets a mix of organic and computer generated visuals and forceful choreography. It is a journey that is as much raw sound and physicality as it is a visual, moving and poetic reflection on the land and situation of the Sami - Scandinavias indigenous people and one of Sweden’s best kept secrets.
Drawing inspiration from videos games, psychology, creation myths and hours and hours of improvisation Blanca journeys through to icy black waters and boiling stars and it is like nothing you have ever seen before.
This piece was originally produced by Estrad Norr to be a mobile work touring minor communities of inland Sweden. Faced by the challenge to choreograph for a small physical space Maria gathered the ensemble in 2013. Almost two years later they premiered a complete piece of stage work that "rises above the mundane and expands to epic proportions in the mind and imagination of the spectator - a tribute to the imagination and the creative power of the human race."
2014, 40 min
Based on the myth of Orpheus and Eurodice, Journey is a piece aimed at audiences aged 9-13 years old. This is the first dance performance ever to be commissioned for an Irish Library. Originally made for Ballyfermot Library, Journey erases the separation between audience and performers, engaging all senses. At times dangerously close it is a thrilling experience for the audience who will follow Orpheus and Eurydice around the rooms and corridors - familiar spaces tranformed in to an underworld wonderland. ‘Journey’ is the creative highlight in Dublin City Council’s Children’s free Art in Libraries Autumn programme which runs in branch libraries around Dublin this October and November. It was commissioned by the Council’s Arts Office as part of its policy of providing free access to the arts to children. The project received support from Dancehouse and The Arts Council.
2014, 40 min
We know more about the surface of the moon and Mars than we know about the bottom of the deep ocean. …Maria's choreography brings nature into the performance space, mapping vast territories in human movement and voice, transforming the raw concrete of a vacant office space into a world resonating with the wonders of the sea. Following Last Land (2012) and Stream (2013), Founder is part of a triptych of work exploring the unknown and mans relationship to nature and environment.
This site specific piece was originally commissioned by Galway Dance Days.
2013, 20 min
In a town in the north of Sweden, in the forest at the end of a street, lies a powerplant. I grew up among birch and pine, to the hum of electric wires, of birdsong, of footsteps in the snow and the long, slow passing of trains, their flickering yellow lights strung out across the night landscapes. I grew up to sounds that travel around and above.
This piece is about that landscape - the lake, the forest, and the music that shaped me, memories of a place where I feel at home. The music, mood, light and sounds, my parents' house, the grandfather clock ticking, the out-of-tune piano. It is about the twilight melancholies of that place, about times that have passed, a longing for home. About going home, finally crossing over.
2012, 40 min
This work for four dancers is based on research on Marie Byrd Land in Antarctica and the desert area of Bir Tawil in eastern Africa. These are the last two places as yet unclaimed by any nation - a no man's land. Inspired by these contrasting landscapes, the choreography is an imaginative reconstruction of some of our planet’s greatest natural extremes, encompassing such topics as borders, power and ownership, nomadic peoples, dramatic polar expeditions, extreme nature and wildlife, the different winds that blow over them, accumulating layers of ice and sand and the processes of demolition and decay that work across them.
The piece is concerned, on a deeper level, with the threat of climate change, and with a growing understanding of nature as something hostile, or at least foreign, to man and society.
"a profound, poetic piece where the shifting moods are given even more depth and immediancy by the on stage trio of musicians."
2011, 40 min
The title translates as "No Man's Land". The piece is essentially about womanhood, in its many facets. Five female dancers of different ages and nationalities paint a picture of the world and the concerns of today's woman.
2010, 13 min
An epic and minimalist march through man's origins to his lost future, as told by the cockroaches who remain after him.
Hypnotic and captivating, this solo fuses several themes of interest, most noticeably a fascination with creation myths, and the dancer’s embodiment of different characters and members of the animal kingdom - insects in particular.
2009, 10 min
Nina Simone's song, 22nd Century, was the starting point for this piece. Her image-rich lyrics and energetic mode of performance triggered the choreography, allowing the 11 dancers to simultaneously interpret fragments of history, the excitement of being alive and the anticipation of the future in a 10 minutes long crescendo.
2009, 9 min
"With a scent of snow" is a solo exploration of memory, an attempt to portray the manner in which we remember. Movements are generated from fragments of personal memories and, together with light, sound and music, come together in an otherwordly and dream-like piece.
2008, 10 min
This piece was created for Cannes Jeune Ballet and was a part of the company's repertoire 2008/2009.
Inspired by birds - their formations and way of moving, as well as their appearance in fairytales and popular culture - the piece is above all a tribute to freedom and the joy of movement, but also a humourous flirtation with humanity and group behavior.